Twenty Ads That Shook the World: The Century’s Most Groundbreaking Advertising and How It Changed Us All
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James Twitchell takes an in-depth look at the ads and ad campaigns—and their creators—that have most influenced our culture and marketplace in the twentieth century. P. T. Barnum’s creation of buzz, Pepsodent and the magic of the preemptive claim, Listerine introducing The us to the scourge of halitosis, Nike’s “Just Do It,” Clairol’s “Does She or Doesn’t She?,” Leo Burnett’s invention of the Marlboro Man, Revlon’s Charlie Girl, Coke’s re-creation of Santa Claus, Absolut and the art world—these campaigns are the signposts of a century of consumerism, our modern canon understood, accepted, beloved, and hated the world over.
James B. Twitchell’s celebration of the greatest 20 hits of the U.S. advertising industry shows how a thoughtful consideration of ads can add up to a fascinating social history. From Lydia Pinkham’s patent medicines (said to cure all serious “Female Complaints”) to Nike shoes worn by Michael Jordan, Twitchell gives us a quickie history of the ads that hit home and transformed our culture–the ones that “in reality had the beef,” as he puts it. One of the vital feats are amazing. The dazzling “Diamonds are endlessly” campaign managed to take not particularly rare rocks and change into them into sacred amulets practically everyone buys and never sells (which would depress their value). The ads brilliantly used honeymoon scenes by famous artists and swoony copy to woo women, whilst devoting a corner of each ad to fact-packed boxes reassuring men that diamonds were sound investments priced according to scientific principles. The jujitsu-psychology techniques of the VW Bug and Avis “We Try Harder” get their due, as does the “Does She… or Doesn’t She?” ad that convinced women they could color their graying hair with Clairol’s new one-step technology. The racy innuendo appealed to people fearing loss of appeal; the presence of young daughters in the pictures neutralized the floozy image dyeing used to have, and the line “Only her hairdresser knows for sure” soothed the salons that were about to lose their business once women figured out they could use Clairol at home.
There are a wide variety of cool stories in this breezy book: how Anacin’s $8,200 TV spot depicting a hammer in the headache sufferer’s head earned $36 million; how Coke remade Santa literally in its own artist’s image; how LBJ beat Goldwater partly on account of a single 30-second ad featuring a girl resembling the murder victim in Frankenstein plucking and counting daisy petals whilst an announcer counts down to a nuclear blast that reminded voters of Goldwater’s speeches about nuking Vietnam and made them fail to remember the war used to be LBJ’s fault in the first place. –Tim Appelo
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